Nancy Sondel's Pacific Coast Children's Writers Workshop
20 years of Master Class to Masterpiece
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“I returned home from the workshop armed with newfound writing tools and industry
knowledge provided by an exceptionally well-chosen, accessible, generous faculty.
I’m set to go!” — Maria Bennett, alum

CRAFT TIPS

Part 2: Revision... and More

You’ll see many of these quotes sprinkled throughout the site. (They may reflect topics from our previous/future workshop focus sessions; some concentrate on a single book or author.) Post your favorites in a handy place where they’ll inspire and nudge you along—keep you on track or help you discover a new one.


Table of Contents

  • Approaching Children’s Fiction
  • Wordcraft
  • Revision
  • Humor, Help, Inspiration
  • Exposition
  • Bibliography

APPROACHING CHILDREN’S FICTION

If I’m known forever as a children’s writer, I will never consider that “second best.” I don’t feel I need to write for adults before I’m a “serious” writer! — J.K. Rowling

You must write for children in the same way as you do for adults, only better.
— Maxim Gorky

No one can write decently who is distrustful of the reader’s intelligence, or whose attitude is patronizing. — E.B. White

No book is really worth reading at the age of ten which is not equally (and often far more) worth reading at the age of fifty and beyond. — C.S. Lewis

WORDCRAFT

Good prose is like a windowpane. — George Orwell

When I was twenty I was in love with words, a wordsmith...Now I like the words to disappear, like a transparent curtain. — Wallace Stegner

Use action verbs to invigorate your writing. Rather than, “Make a revision in this sentence,” write, “Revise this sentence.” — Stephen Wilbers, Keys to Great Writing

Adjectives are like a hammer. Used inexactly, they can give you a sore thumb instead of a job well done.— David Fryxell

See through the character’s eyes. Hear through his ears. Feel through his skin. It isn’t “Glass beads rolled in the rumples of the kitchen linoleum.” It’s “He heard glass beads...” Use the character’s senses instead of the author’s. — James V. Smith, You Can Write a Novel

Try to write description that contains verbal surprises. Seemingly unrelated verbal combinations—“frightful goodness,” “ferocious necklace,” “barnlike body”— can strike exactly the descriptive note you want. — Monica Wood, Description

Examine your adverbs to make sure you aren’t forcing them to do the hard work of observation for you. Instead of telling us that the heroine works “tirelessly,” tells us about the calluses on her hands or her heavy walk. — Monica Wood, Description

Jumbling a lot of images in once clause or sentences tends to blur them [into a] word soup.
— Richard Cohen, Writer’s Mind: Crafting Fiction

I heard two TV baseball announcers commenting on a sports writer who told of a pitcher who had “won six consecutive victories in a row without a loss.” It’s still my all-time redundancy champion. — Tom Blanton

REVISION

I can’t write five words but that I change seven. — Dorothy Parker

Probably no book is born entire and uncrippled as it was conceived. — Virginia Woolf

Writing has to be extremely tight and focused. Not every flashy fish can be thrown in. — Multiple award-winning short story author Gina Ochsner in Writer’s Digest interview (5/05)

Too much decorative language is “like a woman wearing too much jewelry.” — Author and Writer’s Digest fiction columnist Nancy Kress

Don’t say the old lady screamed. Bring her on and let her scream. — Mark Twain

Every writer has set of  “favorite” words, words that break out in his or her head like a bad case of hives. — Carolyn See, Making a Literary Life

Verbs are the action words of the language and the most important. Turn to any passage on any page of a successful novel and notice the high percentage of verbs. — William Sloan

If it is possible to cut out a word, always cut it out. — George Orwell

The key lesson ...[is] that a thing may in itself be the finest piece of writing one has ever done, and yet have absolutely no place in the manuscript one hopes to publish. — Thomas Wolfe   

My spirit quivered at the bloody execution. My soul recoiled before the carnage of so many lovely things cut out upon which my heart was set. — Thomas Wolfe

I have performed the necessary butchery. Here is the bleeding corpse. — Henry James, following a request to cut three lines from his 5,000-word article

If a scene or a character or a description isn’t working at the length you have it, cut it down until the best elements are all that’s left, the gravy reduced to a rich sauce in a skillet. — John Berendt

The best advice I was ever given is to read your work aloud (no audience necessary) and listen—really listen. — Judy Blume

By looking at the skeleton of the story, you are better able to distance yourself... Just reading the scenes over and over... you will get distracted by your own prose style, by all of your revisions, by the ideas in your head that may have never made it to paper. — Raymond Obstfeld, Novelist’s Essential Guide to Crafting Scenes

The early stages of writing and revising resemble first aid on a battlefield: you see a gaping wound (such as a cliched description) and you slap a Band-Aid on it (change a few words)... early drafts are part of the discovery process. — Raymond Obstfeld, Novelist’s Essential Guide to Crafting Scenes

Early drafts are like selecting the members of a sports team; final drafts are teaching them to play together as one cooperative unit. — Raymond Obstfeld, Novelist’s Essential Guide to Crafting Scenes

The best writing is rewriting. — E.B. White

HUMOR, HELP, INSPIRATION

Everything I wrote [for seven years] was a failed experiment. Then it was like Edison with the light bulb—attempt number 3,499 worked. — Multiple award-winning short story author Gina Ochsner in May 2005 Writer’s Digest interview

I might [attempt a story] four years, five years. Because in that time, I may have gained a tiny bit of wisdom, or learned something from somebody else, or studied somebody else’s novel, and then the light bulb turns on...” — Multiple award-winning short story author Gina Ochsner in May 2005 Writer’s Digest interview

You don’t develop a style. You work and develop yourself; your style is an emanation of your own being. — Katherine Anne Potter

Every writer I know has trouble writing. — Joseph Heller

Mistakes are the portals of discovery. — James Joyce

The best time for planning a book is while you’re doing the dishes. — Agatha Christie

I wrote The Outsiders because I wanted to read it. — S. E. Hinton

The most regretful people on earth are those who felt the call to creative work, who felt their own creative power restive and uprising, and gave to it neither power nor time. — Mary Oliver, poet

Respect your first draft! It’s your child, just a little uncoordinated and unkempt. Don’t throw that baby out with the bathwater. — Carolyn See, Making a Literary Life

The woods would be very quiet if no birds sang there except those who sang best.
— John Audubon         

You don’t have to suffer to be a poet [or write teen novels]. Adolescence is enough suffering for anyone. — John Ciardi

The artist is nothing without the gift, but the gift is nothing without the work. — Emile Zola

Good writing has to do with not counting drafts, not keeping track of how many times you’ve revised something. The only draft that counts is the final draft. — Raymond Obstfeld, Novelist’s Essential Guide to Crafting Scenes

However great a man’s natural talent may be, the art of writing cannot be learned all at once.
— Jean Jacques Rousseau

There are no shortcuts to any place worth going. — Soprano Beverly Sills

The profession of book-writing makes horse racing seem like a solid, stable business.
— John Steinbeck

Writing is a marathon of the spirit. Don’t give up. — Stuart Cohen

Writer’s block is a misnomer. What is called writer’s block is almost always ordinary fear. — Tom Wolfe

The best way to get through [writer’s block] is to sit down and write about your writer’s block. This works like Drano. It will unclog you immediately. — Augusten Burroughs, interviewed in April 2005 Writer’s Digest  

When I am stuck on something, I force myself to write one simple declarative sentence that is the truest thing I know [about] it at the time. — Ernest Hemingway

If you’re going to write about a frog, become that frog. Inhabit frogness. — Galway Kinnell

Go for the jugular. If something comes up in your writing that is scary or naked, dive right into it. It probably has lots of energy... Harness that power. — Natalie Goldberg, Writing Down the Bones

Something far more profound than mere words beats at the heart of story. — Robert McKee, Story

BIBLIOGRAPHY

Richard Cohen, Writer’s Mind:Crafting Fiction
Natalie Goldberg, Writing Down the Bones
Robert McKee, Story
Raymond Obstfeld, Novelist’s Essential Guide to Crafting Scenes
Carolyn See, Making a Literary Life
James V. Smith, You Can Write a Novel
Stephen Wilbers, Keys to Great Writing
Monica Wood, Description
Writer’s Digest magazine

“Publishers very seldom pay authors just to keep them from crying.”
— Charles M. Schulz’s Peanuts character, Lucy

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